去看《边境》之前瞟了一眼Roger Ebert网站上的影片，看到评分不高并没有很期待。片子在奥斯卡拿了一个很无聊的最佳化妆。但坐在影院里到字幕出现的时候却感到这是我2019年以来最好看的电影，觉得奥斯卡真得是把自己弄成一个很无聊很没有亮点的商业广告间。 Roger Ebert上的影评人写的最大的槽点是很难让人感同身受／产生共鸣。不知道是不是性别原因，作为女观众当女主角收获第一个“丑女”侮辱的时候，我就跟女主站在同一战线上了。
这个片子和很多伟大的片子一样是寓言式的影片

BORDER, Iranian-Swedish filmmaker Ali Abbasi’s second feature, has an enticing beginning, a thickset, Neanderthal-looking woman Tina (Melander), works as a custom officer in a Swedish airport and possesses a psionic ability to sniff out contraband through the malefactors’ aberrant emotions (guilt, fear, rage, etc.), and a subplot of a pedophile ring surfaces when she discovers a secretive memory card from a spiffy passenger, and later, she is recruited to use her superpo

《边境》Tina-In-Wonderland
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